Miskatonic University Podcast
I joined the hosts of the Miskatonic University Podcast for episode 133 and their main topic of Pulp Cthulhu‘s sixth chapter. That chapter explores how magic works in the setting, as well as the game’s primary optional rules: psychic powers and weird science. My upcom
ing campaign, A Cold Fire Within, prominently features psychic phenomena, so I lent my experience to the discussion. I also talked briefly about my recent trip to Portland, Oregon, for the H.P. Lovecraft Film Festival and CthulhuCon. On the forum thread for the episode, I list my viewing highlights from the festival, all of which will hopefully be available to view at some point.
A Cold Fire Within and Other Writings
I returned the revised manuscript for the aforementioned Pulp Cthulhu campaign A Cold Fire Within in August, a couple of weeks after returning from NecronomiCon. It is scheduled to move into production in 2018, and I hope for us all to have it in our hands toward the end of that year. Chaosium and I will have more to say later, but some hints appear in that podcast regarding its stylistic aims. Pulp Cthulhu allows me to take the player characters deeper into corners of Lovecraft’s universe than usual.
I’ve also turned in another article to Sentinel Hill Press for its Kingsport issue of The Arkham Gazette, this time for an NPC inspired by an artistic figure from Marblehead, the real-world basis for Lovecraft’s fictional town.
Sadsadsex Album Release on Bandcamp
The first album as such from kittycat lollipop, sadsadsex, is out now. These songs, along with the first two tracks on last month’s re-release of False Starts and Second Chances, were the first we wrote, recorded, and performed. They were sent via CD-R and electronic file to various reviewers, Internet radio stations, and mp3 sites, often to the confusion (sometimes dismaying, sometimes delightful) of the recipient. Kittycat lollipop was the first act mentioned in the inaugural Great Demo Review in San Diego CityBeat, serving as a cautionary tale. During the description of how all the paper’s columnists took part in reviewing everything that was sent in, our reviewer was described excitedly snatching up the CD upon seeing our name and subsequently regretting that decision. I still treasure this memory.
Kittycat lollipop, you scare me. You remind me of Soft Cell’s “Sex Dwarf”–you know, the one about “luring disco doggies [sic] to a life of vice”? That kind of thing leaves a mark on little Catholic schoolgirls, ya know? I like the first song here [“A Reunion (of sorts)”], though–kind of Figurine-meets-Fischerspooner. Go with more of that. — Kelly Davis, San Diego CityBeat
“There Is a New Star in the Skies Tonight” was written at the end of this first group of songs, joining the live-set rotation with the second show. It strikes me as a bridge between the early songs and what came later, easily fitting with either. My deadpan vocals were giving way to something more frenetic, even unhinged at times. I often looked at my lyrics as not just observations of the flawed world around me but as warnings, including to myself. Perhaps I was becoming more and more frustrated and desperate.
Film projection was a key component of our performances, one we used whenever feasible. Patrick Loveland shot a series of films tied to the initial songs. Since serving as our beloved filmographer, Patrick has become an accomplished author. His debut novel, A Tear in the Veil, a delirious admixture of genres and life experiences, was recently released.
One of those films was edited into a proper video and posted on YouTube, featuring stop-motion animation created by Patrick, as well as treated shots of one of Golden Gate Park’s windmills.
As mentioned previously, he created videos for both the songs in our CD-R single. Here they are. The video for “What Then?” remains a highlight of kittycat lollipop’s existence for me.
Lastly, in celebration of Halloween, here are photos taken during a 2006 house party.